Yamaha Dgx 205 Driver
Sep 27, 2011 - A friend of mine is letting me borrow his Yamaha DGX-205 Portable. Regardless, I've downloaded and installed the driver and it's still not. I would recommend YAMAHA DGX-205 to everyone who has a great interest in and love of Music. Easy computer set-up with the free software disks. Quick Start DVD Information Guide is a PLUS.
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I'm having a devil of a time trying to connect a Yamaha DGX-205 to Logic. I have the driver installed USB cable working Keyboard set to Local (off), External Clock (on) and Keyboard Out (on) a multi instrument object created in a MIDI instruments layer in the environment PORT set to Yamaha DGX-205 All the subchannels activated and a track selected to MIDI instruments > Yamaha DGX-205 > Channel 1 (Piano) All I've been able to do is remotely control the Yamaha from my midi controller - but no sound is coming into or out of the system. I can record data that way (not from the keyboard itself), but get no playback from system. What am I missing here? Is there a step-by-step process to setting up a multi instrument?
I have read the entire Environment section in the Logic Manual and also have gone through the tutorial in the Apple Pro Training book. Still no idea why this isn't working. Any help would be extremely appreciated! Right, MIDI does not contain audio information. But doesn't it contain PATCH information?
It would be the same thing as a soft synth, or a rack synth. You should be able to choose a patch/voice and control it via MIDI. I keep reading this chapter over and over in Apple Pro Training, and the author gives every indication that this is exactly how it works. Just like setting up the Quicktime synth. You create a multi instrument in the environment, and then cable it to the Internal QT object, and voila! You have General MIDI sounds.
He then says 'go ahead and hook up your other external keyboards the same way.' But leaves it at that. Without saying what, if anything, you're suppose to cable those new multi instruments to. And it doesn't work otherwise. It just seems strange that people go out and buy all these crazy awesome synths, and then end up recording them as analog audio in the end. Just curious how you would record them if not audio?
I mean you can record it in midi and audio, there is no third choice. What I do is record the midi which Logic sends back to my synth so I can hear what the audio will sound like. Then edit the midi which is much easier than editing audio but at some point you will want to record the audio or you just have a track sending midi out and you will be the only one hearing the audio.
Because the videos you mention did not tell you exactly how to do this I made one. It should explain what you want but it does not cover routing the audio back to Logic. Since it will depend on your set up which way you will do this. I am sure this is what you are trying to do though. And you are recording the audio digitally since Logic is a DIGITAL AUDIO WORKSTATION.
I record my synths audio from my SPDIF OUT so it never gets to the analog state. And yes, it goes on an audio track, where else would you put audio? Type in the code that is displayed at the bottom to download the videos. Part 1 Part 2 Dual Processor 1.8 G5,2GB Ram Barely limping along on an old outdated OS Mac OS X (10.4.8) Logic Pro 7.2.3 RME Fireface800 Peak Pro5.2. I had an associate ask me why I use the intermediate step of putting patch names into a spreadsheet and I thought that other people would like to know why I suggest this. When copying out of the PDF file I used from Yamaha (on some banks) it was impossible to get all 128 names of one bank to highlight at one time. I had success with the first bank but as you can see the PDF had 3 columns on each page with 2 columns making up one 128 patch bank.